A Body with Two Heads

Recently I discovered a new poet, Tishani Dosi. My reading of Tishani led to some of Homo sapiens’ oldest (6500 BCE) large sculptures.

The line which triggered my search left me puzzled " … I dreamed I had a body with two heads like those ancient figures from the Zarqa River … ".

I immediately Googled "figures" and "Zarqa." The most useful hit was a scholarly paper:

> Schmandt-Besserat, Denise. "’Ain Ghazal "Monumental" Figures." Bulletin of the American Schools of Oriental Research, no. 310 (1998): 1-17.

Luckily JSTOR.org allows 100 reads of papers during COVID. Seventeen pages later, I had a good idea of the statues’ construction – Plaster covered reed armatures. I also had the probable purpose for the statues. Exorcists used the figures in a ceremony for ridding a home of angry ghosts. However, the paper’s black and white photos were disappointing in the online reading tool.

My next Google added "Ain Ghazal" as a search term. This search yielded a Wikipedia article, "’Ain Ghazal Statues," which provided excellent photos.

All Photos by Osama Shukir Muhammed Amin FRCP(Glasg)

How did Tishani Dosi discover these statues? Did she visit a museum in Amman, Abu Dhabi, Paris, or London? Maybe Tishani read of Jacob seeing the face of God. Perhaps she wondered what else happened on the banks of the Jabbok (Zarqa).

Tishani Dosi is an author of both novels and poetry. Born in India, she writes in English. The poem which started this search is titled "Self" and is one of six in Granta 151. I plan to read Girls Are Coming Out of the Woods, her third book of poetry, next.

Matera, Basilicata or Lucania?

Did you ever read a book about a place, then later plan a trip there and fail to integrate those two activities in your mind?  Last year when we prepared for a trip to Matera in the Italian region of Basilicata, I never connected my memories of “Christ Stopped at Eboli” by Carl Levi with the journey. Levi’s book introduced me to the rugged, parched terrain of south-central Italy and the “feudal” organization of society there before World War II.  But that knowledge seemed to have had nothing to do with our travel south.

For the American ear, a more straightforward translation of  “Cristo si è fermato a Eboli” would be “Modern Western Civilization never proceeded South of Eboli.”  In the book, Carlo Levi’s banishment from his home in Piedmont to the village of Gagliano, Lucania happened because of opposition to the Fascists and the Abyssinian War.  Gagliano is a name only for the book.  The actual location of Levi’s banishment is Aliano fifty miles southwest of Matera.

Why do we today call this region Basilicata and Levi called it Lucania?  Lucania is a very ancient name for the area.  The  Lucani (Lucanians) ruled this region until conquered by the Romans during the second Punic war. The name that was good enough for the Romans was good enough for the Fascists in their recreation of the empire. The name Basilicata, the current name, comes from the period of Byzantine rule after the fall of the Western Roman Empire.

Three things stick in my mind as features of this world.  First is rugged terrain and the extreme vegetation which grows on this hard earth.

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The second memory is of Levi’s sister’s horror at the poverty she witnessed in Matera while visiting her brother.  Following winding mule paths into the Sassi, she saw peasants living in caves.  The caves housed both the families and their animals, people, pigs, mules, and chickens living in shared rooms.  The ceiling of each of these caves, with its stone facade, formed the street and floor of the cave above.

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My final memory from Levi’s book is the complete social separation between the professional and landowning class from the peasants.  The top society lived, with some leisure, comfortable lives. Every day peasants suffered on the hard land.

This hard life of the peasants started to change in the 1950s as the Italian government closed the slums of the Matera Sassi and moved the poor to modern apartments. Also, a new functioning social safety net guaranteed health care and eliminated starvation.

On our third and final day, we left the city of Matera and explored the much older ruins of houses and churches east of the ravines of the Sassi.  This area, the Parco della Murgia Materana,  witnesses 7,000 years of human society beginning with the Neolithic period and reaching its peak 1000 years ago.  After these early developments, civilization had moved to the location of modern Matera.

The park visitor center, Jazzo Gattini,  is a 200-year-old “sheepfold” were shepherds sheltered their flock for the night. The center provides tours, an educational facility for students of all ages, video facilities, maps, and food for guests.  Our experience here was way beyond expectations.  One of the English speaking members of the staff sat down with us and provided the history of the area and recommendations given my/our hiking capabilities (he gave us more credit for abilities than we deserve).

After watching several videos, we headed off to find the 7000-year-old Neolithic village of Murgia Timone.  In the first few steps, I made a navigational error as I walked east down a dirt road rather than along a footpath.   After covering a greater distance than indicated on the map and now headed southeast not east, lost, we turned left into a long driveway toward some older buildings.  Although the buildings were unused, there were several campers with recreational vehicles in the area.  Approaching the first vehicle, we were happy to determine the occupant spoke fluent English.  Unfortunately, he was of no help as he had just arrived but did recommend we try the older Italian man at the far end of the area. Michele, who only spoke Italian, was checking his beehives in the area.  He had known about the Neolithic village for fifty years but had never taken the time to see it.  He would be happy to take us if we waited for a few minutes, as he too wanted to visit.  I was surprised to find we were only five minutes away from the nearest dwelling.

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There were six homes, all very similar.  And stone curbed “streets” lead between the houses.  While walking past the caves, Michele pointed out the herbs growing wild at our feet.  He picked up sage, oregano, and thyme.  Crushed each in his hand and let us smell the great aromas.  Then he dropped then on the ground as it was illegal to carry them from the park.  My favorite herb was the wild saffron crocus.

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Usually, these flowers would bloom in the warm spring when his bees were very active. However in recent years, it was far to dry in the spring, and now the crocus bloomed in late October and November when it was too cold for his bees to fly.  Basilicata crocus honey will soon be another loss to climate change.

Leaving the Neolithic village, Michele offered to show us the Belvedere panoramic lookout across the ravine from the Sassi. There continuing our conversation, Michele described his childhood in the Sassi. Ten years after his birth, Michele’s family had been one of the those moved from the cave homes in the 1950s.

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On leaving the Belvedere, we asked Michele to pose for a photo with us.  Sadly he refused.  Our acquaintance was one of those exceptional unplanned surprises that seem to happen when traveling.

One thing which Levi’s book could not prepare me for was the stone churches (Le Chiese Rupestri) of Matera.  Some of these churches are older than a thousand years.  These are creations of negative architecture. The columns and arches which mimic those in churches made of quarried stone are what’s left after the rock was excavated. The earliest were dug (I almost wrote built), on the east side of the ravine by Byzantine monks in the eighth century. These monks were fleeing religious persecution for there creation of images.  Most of these images have been ravaged by time, water, and unfortunately collectors of artifacts.  However, what remains has a new beauty as the remnants of the art merge into the rock.

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This year, 2019, Matera has been selected as the European Capital of Culture.  Click here to learn more. For decades the Sassi had remained uninhabited. But today the former slums are populated with hotels, B&Bs, museums, and shops of all kinds as well as private homes. Luckily this restoration has preserved the beauty of this ancient city.

 

 

A-mazing books

One of the tricks I commonly use when visiting a bookstore is to force myself to buy only one book. It can’t be the book reviewed last weekend in the New York Times, nor can it be a book I always intended read, it has to be unusual, unlike any of my past reading.

I use this trick while in Seattle, January 2017. We had just watched the Chinese New Year street parade, with long dragons dancing down the street, followed by acrobats and dancers. With my mind charged with the exotic, I entered the downtown Barnes& Noble store where I preceded to shop. It’s common with me when picking just one book to select a translation of a foreign novel or a new edition of poetry by a poet I have never read. However, my one book has never addressed computer programming. But, when I saw “Mazes for Programmers: code your own twisty little passages” and read the back cover comments, “A book on mazes? Seriously? Yes! Because it’s fun. Remember when programming used to be fun?”, I was hooked.

Over the next several weeks I read the book cover to cover trying to understand all of the examples. One problem I had is, the author of the book had written all example code in Ruby, a language which I have never used. I had selected Python as my one language of choice to use for retirement hobby computing. The difference between two computer languages, even though they are in some ways similar, as Ruby and Python are both object-oriented languages, is complex. It’s like the computer translation of human communication. For an example of this difficulty, I took the first sentence above and translated it from English to Italian to Hungarian and back to English with Google translate, this is the result:  “One of the trick I buy in a bookstore is to force myself to choose only one book”

The problem of languages was solved when I discovered Sami Salkosuo’s posting of mayzepy on GitHub.  Someone else had done the hard part for me.  My work would now be concentrated on the creation of different maze types and the rendering of those mazes as computer drawings.

Almost immediately, as I started to render mazes, I realized that eventually, my software drawings would need to reference the past.  I needed to understand the stories of ancient mazes in Eygpt, the Greek myth of the Minotaur, and the meditative wall and pavement mazes of the medieval church.  Luckily the Buffalo library had a copy of “Mazes and Labyrinths: Their History and Development,” by W. H. Matthews.  I checked it out, and as I read it, I knew I wanted a copy for reference.  At this point, I discovered Amazon had a kindle version for $2.99.

Another direction of study when constructing mazes is the mathematics field of Graph Theory.  A “Perfect Maze,” one without loops, is a “Connected Tree” in graph theory.  The text I have been studying is “Pearls in Graph Theory” by Hartsfield and Ringel. I recommend it.

Finally here are examples of my computer generated mazes.

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Local reading

When I arrived in Buffalo, fresh out of Iowa State, it was still a vibrant city, with a busy downtown, the retail shopping center of the area.  However, in 1965 my new hometown was on the precipice of decades of decline, many of the seeds of its decay were shared with other rust belt cities, and I need not dwell on them here.  However, Buffalo had another significant reason for the decline.  Buffalo had historically been the eastern end of Great Lakes Shipping.  Here mills ground grain from the Midwest into flour, and blast furnaces smelt iron ore from Minnesota and the Upper Peninsula of Michigan.  Unknown to Buffalo the world was changing fast, a significant reason for its decline had been completed six years before I arrived.  The Saint Lawrence Seaway, opening in 1959, had removed the primary reason for Buffalo’s birth as a major city, that is as a hub for Great Lakes shipping.   Buffalo grew from a small village to a city first because of the Erie Canel opening in 1825 and later as a railroad hub. The seaway allowed grain and ore to go cheaply to markets throughout the world.

Now over 50 years later Buffalo is again a growing city with a mixed economy of lighter manufacturing, education, medical care, and research, as well as information sciences. Now, I am retired with time to read, including local history. This year three of the books I read, all by local authors,  addressed local history.  I recommend all three authors and their books as sources to understand the almost 200-year history of Buffalo as an urban center.

The first is, a biography, Albright, the life and times of John J Albright, by Mark Goldman. Who is this man who we know by a building: the Albright-Knox Art Gallery? He came to Buffalo from Pennsylvania scouting for a new location for the Lackawanna Steel company, later sold to Bethlehem Steel.  He then moved on to both banking and electric power generation.  By 1895 he was on the board of the Buffalo Fine Arts Academy, and lead a drive to establish the home for the academy, which would bear his name.

Later, I read American Chartres: Buffalo’s Waterfront Grain Elevators by Bruce Jackson. Although one can drive along the Buffalo River and see Buffalo’s mostly defunct elevators, Bruce Jackson’s eye with his camera and his access behind locked gates provide a valuable adjunct to understanding these monuments to Buffalo’s past.  As to the title? Both the interior of the Cathedral at Chartres and the exterior of SIlo City  silently shout “look up.”

Today I finished The Best Planned City in the World, Olmsted, Vaux, and the Buffalo Park System by Francis R. Kowsky. An excellent history, with illustrations, of Olmsted and Vaux’s work in Buffalo.  I was familiar with Olmsted’s connection with Delaware Park, then “The Park” and Martin Luther King Park, then “The Parade” and the interconnecting Humboldt Parkway now lost to expressways.  But I did not know that he helped design, and fought for, every square and park in the city of Buffalo, and lead the international fight for the preservation of Niagara Falls.  Highly recommend reading to understand the design and history of Buffalo.

One more recommendation: Right Here, Right Now: The Buffalo Anthology by Jody K. Biehl (Editor), an exciting collection of history, stories, and essays by current and past residents of Buffalo.

Two Essays

Earlier this year reading two essays caused me to pose new questions when viewing works of art. The first, by Teju Cole, Shadows in São Paulo,  the second by André Aciman, My Monet Moment.

Both authors journey to find the source location of an image.  Cole is chasing the source of a René Burri photograph in San Paulo,  and Aciman is trying to understand the scene which was the source of a Monet Painting.

Cole asks, can we identify the location and subject of photos in the real world.  Fifty years after the photo was taken, he tries and succeeds.  However, his initial efforts are complicated by assuming the lens focal length was close to “normal”.  For more background, click here “Men on a Rooftop“.

Aciman discovers that elements of a painting may be changed from the real world. Elements of the painting are rearranged for a better visual composition.  For a look at the painting,  Maybe it’s the right one ;), click here.

As these essays illustrate, when looking at a painting or photograph several questions may increase your enjoyment or understanding.

  1. Where is the source of this image?
  2. Would my eye see the same perspective, or is it wider or foreshortened?
  3. Are the elements of image grouped in a special way to enhance the composition?